Despite creating a beautiful, feature-rich and well thought-out wireless speaker, Sony’s SRS-X9 fails to deliver consistently high quality sound over its wireless and wired inputs.
The wireless audio phenomenon in consumer tech is huge and isn’t showing any signs of slowing down. It’s into this already crowded category that Sony is throwing three new contenders for your wireless speaker dollars. The biggest and baddest of the three is the SRS-X9, a sophisticated-looking all-in-one affair that straddles the line between bookshelf speaker and home theatre sound-bar.
The SRS-X9, which retails for $699 CDN, is priced at the high end of the wireless speaker market, placing it in competition with the Sonos Play:5 ($499) or possibly the Sonos Playbar ($749) as well as offerings from Pioneer,Bose, Bowers & Wilkins, Polk Audio and Marantz.
Set-up and Connectivity
As you would expect from such a device, it offers a wealth of connectivity including Wi-Fi, Bluetooth, line-in (via mini-jack), Ethernet and USB. It’s also DLNA and AirPlay compatible.
If there’s one thing that nearly every smartphone and tablet has in common, it’s this: dreadful sound quality from the built-in speakers.
Yes, I know some possess stereo speakers, and there’s certainly a case to be made that when privately watching a video on an iPad in a quiet room, the sound is sufficient enough to be enjoyed.
But the bottom line for speakers is similar to the bottom line for car engines: there’s just no substitute for cubic inches (er, centimetres).
So it’s no wonder that in recent months a whole new category of products has emerged to help consumers with their tiny (and tinny) device speakers. We are now living in the age of Bluetooth Hi-Fi and there are several ways you can use this wireless technology to amp up the performance of your favourite media gadget.
The first is by using a Bluetooth gateway device like the BlackBerry Music Gateway – a diminutive black box that simply relays the audio signal from your phone or tablet to the system of your choice. It’s simple, cheap ($49) and effective. But it’s not portable (you’ll still need to plug it in) and it’s a one-trick pony. Streaming audio is all it does.
The second option is one of the large Bluetooth-capable speaker systems like the Parrot Zikmu. It’s gorgeous, and likely has sound that compares to many high end speakers, but again portability is not really a strength and they don’t come cheap – a pair will run you $1599.
Finally, there are the truly portable, battery powered units that are small enough to fit in nearly any travel bag, yet big enough to deliver much better sound than your built-in speakers.
The Braven 600 is one of these products, and at $149 it’s the perfect compromise between the trio of considerations: price/performance/portability.
The first thing the Braven 600 reminded me of (and I’m dating myself here) is the speaker in Bosley’s office that Charlie used to speak with his Angels in the hit 70s TV show, Charlie’s Angels. The Braven’s all-aluminum wrap-around body is perforated by small holes on both sides, much like the speaker Charlie Townsend’s voice emanated from.
The similarity might not be entirely in the mind of this writer – the Braven 600 is in fact a speaker phone as well as being a wireless stereo speaker. The elegant design lends itself just as well to a boardroom table as it does to a living room, or anywhere else for that matter.
Braven claims that the 600’s battery life is good for about 12 hours of streaming which should be more than enough for times when you’ll need it to be fully unplugged. The battery life is so good, the Braven can also be used as an auxiliary power source for your phone, or any other gadget that be recharged via conventional USB. The company suggests that an average smartphone could get back up to about 70% from empty. Not a bad trick.
As if that weren’t enough, the Braven has one more trick up its sleeve. Remember how the BlackBerry Music Gateway can let you stream music from your device to any piece of audio equipment you own? Surprise: the Braven 600 can do that too, thanks to its audio output jack – a feature that may well be unique in this category.
So how does it sounds? Well, I’m not gonna lie – it’s not going to replace your home theatre system. But it does sound very good for such a small speaker. My experience was that it favoured “brightness” and clarity over low-end bass, but not to a degree that it sounded flat or tinny. Interestingly, vocals seemed to be it’s strong suit, again perhaps not a surprise given its second life as a speaker phone.
But what good is listening to a speaker like the Braven 600 without a point of comparison? Sadly, I didn’t have the Braven’s closest competitor, the Jawbone JamBox to do a side-by-side comparison. So I did the next best thing and hit up YouTube. Sure enough, I found this video from Gear Diary which, while not the ideal way to audition speakers, at least gives one the rough idea. Clearly the Braven more than holds its own when put up against the more expensive and less fully-featured JamBox.
The Braven comes packaged in large, clear acrylic display case which is not recyclable (not cool Braven), but includes an AC-to-USB power block (which looks like a black version of the one that comes with iPhones) plus a USB cable and a short stereo audio cable for 3.5mm jacks. They even throw in a small cloth carrying case.
The Braven isn’t exactly a bargain; I know that for some folks the idea of spending $150 on a wireless speaker still seems like too much. Plus you could probably cobble together a decent sounding system using other components for less. But when you factor in all of the Braven’s capabilities, you’d be hard-pressed to find its equivalent at any price.
If you’re interested in a Braven speaker (they make two others in the series) you won’t be able to find them in any Canadian retailers yet, but you can buy them direct from Braven and they will ship to Canadian addresses.
We’ve covered wireless audio solutions before here on Sync, and by golly we will continue to cover them – wireless audio is one of those technologies that can change the way you experience media. Well executed, it can bring a goofy smile to your face as you try to contemplate how you ever lived without it. Poorly executed and it leaves you wondering what all the hype is about.
Unfortunately HP’s Wireless Audio falls into the latter category.
Before we get into why, let’s review some of the basics.
The primary goal of any wireless audio system is to let you experience the digital music that you have stored on your computer, smartphone or other device on a set of speakers that are better suited to the task and often located in a different room than the device with the music.
Sometimes the speakers belong to a high-end home theatre system, sometimes they’re just a small tabletop radio with an auxiliary input. But they aren’t the tinny things that come stock with most laptops or PCs which means your music is going to sound a lot better.
There are three wireless technologies that companies have used for this. First is Wi-Fi (or a proprietary version thereof). Its strengths are distance – it can usually cover your whole home and sometimes more – built-in networking (you can do more than just stream music over it) and flexibility (there’s virtually no limit to how many devices can share a Wi-Fi network, and you don’t need extra hardware). It’s drawbacks are mostly related to reliability. Because only a few Wi-Fi routers can help to prioritize one type of network traffic over another, streaming music can sometimes cut-out or fall out of sync with a video source.
Second is Bluetooth. It’s a piece of cake to set up, almost all modern laptops and smartphones support it, audio quality is good and lag is rarely if ever an issue, but it caps out at about 30m of distance and so far, Bluetooth connections can’t be multi-device (I can only stream my music to one Bluetooth speaker at a time).
Third is fully proprietary wireless signal. This is used by HP’s Wireless Audio. Proprietary wireless’s main strength is that the devices which use it share a dedicated, highly reliable signal which can be used to deliver a wide range of audio including 5.1 surround sound. The down side is that you have to use a dedicated wireless dongle with limited transmission strength. Depending on the frequency(ies) and power used by the system it may or may not be successful in penetrating walls and other structures.
Thus is the weakness of HP’s Wireless Audio solution. In testing out the review unit, I found I wasn’t able to maintain a connection between the receiver unit and my laptop which had the USB dongle, unless I stayed within about a 15-20 feet “safe zone.” The orientation of the laptop (and thus the dongle) also made a big difference at the edge of the safe zone. This is in stark contrast to HP’s claim of “30m bi-directional range,” using a tri-band combination of 2.4, 5.2 and 5.8Ghz frequencies. If you’re hoping to get your music from one end of the house to the other, the HP Wireless Audio system isn’t going to deliver.
I was also disappointed that HP hadn’t created a free app that I could download to an iOS or Android device so that I could control the audio remotely. That feature exists for both Apple’s AirPort Express as well as Sonos’s wireless solution.
So without the ability to effectively stream music from more than one room away and with no built-in way to control the audio on the computer, I found myself wondering exactly who the system was meant for. Which application had HP envisioned when they created the Wireless Audio?
Then it hit me: The scenario that was made for HP’s strengths without being affected by its weaknesses. For folks who have all of their movies on their computer and want to watch them on their computer’s display but want the audio to run over their home-theatre speakers, the HP Wireless Audio works perfectly.
Distance is no longer a factor because your receiver and computer are in the same room. There’s no need for remote control because the computer is sitting right there in front of you, or at least within arm’s reach. The ability to stream 5.1 surround is big benefit and not running cords from your PC to your receiver is obviously another. Finally, the Wireless Audio’s dedicated signal and resulting no-lag is perfectly suited to movie soundtracks: no one likes watching an actor’s lips start moving a half-second or more before the words start coming out.
But for all its strengths in this scenario, I just can’t see someone dropping $99 for this capability. It’s hard for me to imaging that someone who has a great 5.1 set-up doesn’t have an equally great widescreen TV to match and if that’s the case, a single HDMI cable kills two birds with one stone: you get great audio *and* video.
However, if you were thinking “hey that’s my set-up exactly” when you were reading my computer+speakers scenario, you’ll be pleased to know that set-up of the Wireless Audio was painless. HP provides a dedicated control panel for Windows that lets you sync your receivers (yep, you can have up to 4) to your computer. There are few options and after the install you’ll mostly manage the audio levels for your Wireless Audio from your Windows sound properties.
The receiver itself, while generous with connectivity options (it has RCA jacks, a mini-jack/TOSLINK combo and an RCA-style S/PDIF connector) and uses a nearly universal mini-USB port for power, is nonetheless cheap-feeling with plastic case that is so light weight, one can’t help but wonder why it needs to be so big.
Oh by the way, in case you’re a Mac user, sorry – you’ll have to stick with Apple’s Airport Express or other solution – HP’s Wireless Audio is only compatible with Windows PCs.
Overall, I’d have to say that if you’re looking to build a wireless home audio system on a budget and you don’t mind the occasional lag, Apple’s Wi-Fi and Airplay-based AirPort Express is a much more versatile gadget for the same price.
When I think “sub-woofer” I picture home theatre set ups- you know the kind- 5, 6 or even 7.1 surround systems with that “.1” referring to the sub woofer which, more often than not, is tucked into a corner, hidden under a plant or sometimes concealed behind a wall panel. What these configurations all have in common is permanence. Your average home theatre buff will spend a fair amount of time figuring out optimal speaker placement and once wired in to their locations, never moves them again.
Why would Sonos seek to market a wireless sub to this group of buyers? Yes, the Sonos sub enables placement options that wired subs can only dream of, but when I tell you that Sonos’s sub is incompatible with every amplified home theatre system on earth, you’re probably going to start scratching your head. I sure did.
Before I explain this bizarre limitation, let me clarify who the Sonos sub is actually aimed at: people who already own, or intend to buy one of Sonos’s all-in-one speakers, the Play:3 or Play:5 or their Connect:Amp powered receiver for bookshelf speakers.
Now, about that strange incompatibility. Let’s do a quick refresher on the nature of sub woofers. Subs are designed to do one thing and do it well: provide the low-end bass reproduction that standard speakers simply can’t deliver. In home theatres, they are loved for that couch-shaking rumble on movie soundtracks. Audiophiles use them to fill in the lows that their dedicated stereo speakers can’t reproduce. But regardless why you use a sub, your receiver/amplifier plays a critical role. Every system that includes a sub needs a setting known as “cross-over.” Cross-over is the frequency at which the sounds you are playing are divided into signals. All sounds above the cross-over frequency get sent to the regular speakers. All sounds below that frequency get sent to the sub-woofer. Sometimes, as with inexpensive HTIBs (Home Theatre In A Box) systems, that cross-over frequency is set at the factory and can’t be changed while receivers/amps used in component systems will typically have an adjustable cross-over frequency so you can get the perfect calibration for your specific speaker/sub-woofer combination.
So what does that have to do with the Sonos SUB? Well, just like every other sub-woofer, the Sonos SUB needs to have a cross-over frequency established. On Sonos systems, that cross-over setting is managed in the software and is dynamically set based on the particular combination of Sonos speakers in your room(s). But because the software uses its knowledge of volume levels and amplification of ALL the speakers in your system, it can’t make the necessary adjustments if your system included components that the software isn’t aware of from an amplification point of view. This includes any externally-amplified speakers you are running through one of Sonos’s Connect devices. These devices only pass music signal, not amplification to a set of speakers. Conversely, all Play:5, Play:3 and Connect:AMP components will work with the SUB.
One of the benefits of the Sonos software-controlled cross-over system is that the cross-over frequency can change. Not only can it change based on which speakers you’re using with the SUB but it can also change as you adjust your volume levels which means you’re always getting the optimal amount of low-end for any moment in time. If the engineers at Sonos ever feel the blend needs to be adjusted, they can do so via a software update. The down-side to this arrangement is you can’t tweak the cross-over frequency if you aren’t happy with how the software is dealing with it.
If you haven’t already guessed from the details so far, the Sonos SUB is intended to enhance the enjoyment of music within an existing Sonos set-up. This is not a sub for home theatres. As an acknowledgement of this fact, Sonos took a little more care with the design and materials in their SUB. After all, if your sub-woofer is wireless and can be placed anywhere, why not show it off a little? The SUB’s piano-black gloss finish and striking shape makes for a great conversation piece. But look a little closer and you’ll see that Sonos’s engineers found an intriguing solution to a design challenge.
Their research told them that traditional down or side-firing sub-woofers limit placement options for consumers. Their boxy shapes can be hard to hide and they certainly don’t slide under couches very well. At the same time, rectangular subs, while easier to stow under furniture, aren’t much to look at if you do need to leave them visible. To make a sub that was both elegant when seen and slim enough to be hidden, Sonos employed a “ying-and-yang” arrangement: two speaker cones and ports which fire from opposite sides, but both facing the inside of the cabinet – the donut hole in the centre of the SUB. The benefits of this design are two-fold: because there are no externally facing speakers, you can position the SUB with any of its five available surfaces facing down and sound quality is never compromised (the “bottom” should probably never be used on “top” for balance reasons). Plus, overall vibration on the SUB’s cabinet is reduced to negligible levels thanks to balanced output of the two drivers. It’s the sub-woofer equivalent of a boxer engine.
It’s also worth mentioning that Sonos’s built-in wireless system creates a level of flexibility that wired sub-woofers simply can’t match. If you use Sonos gear in a multi-room configuration, but decide that you don’t need sub-woofer power in each of those rooms all of the time, simply unplug the SUB, carry it to the other room, plug it in, and then associate it with the new room from within the Sonos app on your smartphone or tablet. The software does the rest, including a recalibration step that ensures you get the right balance between the SUB and the speakers in your second (or third or fourth etc..) room.
I auditioned the SUB in a small listening room at Toronto’s The Spoke club. Sonos Product Manager Craig Wisneski had two Play:3 speakers set up at either side of the room, configured to run in stereo mode (each Play:3 speaker reproducing just one channel respectively). We sampled several tracks including some reggae standards which are perfect for checking out low-end sound thanks to their bass-heavy rhythms. Without the Sonos SUB, the sound produced by the stereo Play:3’s was already (to my untrained ears) full, rich and satisfying. Adding the SUB to the mix did exactly what you would expect – it filled out the low end that you hadn’t even noticed was missing.
It very much reinforced for me that the SUB has been designed for music – not movies. The effect of turning on the SUB was immediate and noticeable while retaining a subtlety I don’t usually associate with sub-woofers. It many ways, it does what all good audio gear should do. It gives you the impression that you weren’t hearing the full range of music before you added it to your set-up.
Here’s the part that might give you pause when considering if the Sonos SUB is right for you: the price. At $749 the Sonos SUB is more expensive than two Play:3 speakers plus the Sonos Bridge all put together. It’s a big expense for a product that many consider a nice, but optional extra to their music system. And while Sonos has plans to release a slightly cheaper $649 matte-black version of the SUB later this year or possibly early in 2013, that’s still twice what it costs to buy a decent powered sub-woofer for component systems. But therein lies the catch – if you want that deep bass sound to accompany your existing Sonos wireless speaker set-up, there is – for now – only one game in town. Is the SUB $749 worth of sub-woofer? Probably not. But if you value stunning industrial design, the convenience of place-anywhere-wireless convenience and a speaker that has been designed to provide optimal low-end sound for your existing Sonos gear, then it might very well be worth the asking price.
In any event, you’ve got a few weeks to decide/save up – the Sonos SUB starts shipping July 30th if you order online. But if you’ve already made up your mind, you can pick one up right now at selected retailers and installers such as Best Buy, Future Shop but call first as stocks are limited at this point.
Unless you’ve been sticking with the same CD collection you’ve owned since the 90s, or you’re one of the hardcore vinyl-collecting crowd, odds are good that most of your music is now sitting in MP3 or AAC format on your PC, MP3 player or smartphone. And while each of these devices are great for organizing your tunes and listening to them privately, they lack the group-listening vibe afforded by our stereos, boomboxes and home theatre systems. Fortunately, there’s never been a better time to widen your music’s horizons. Here are three ways you can get into the wireless streaming game so that you can enjoy your music wherever you are in your home and on any existing audio device.
1. RIM BlackBerry Music Gateway ($50)This tiny black module is the absolute cheapest and easiest way to get your digital music to flow through the speakers of your choice. As long as your music is stored on a smartphone or other device that is Bluetooth 2.0 (A2DP) compatible, you can pair it to the Music Gateway and then connect the Gateway to your home stereo using the included mini-jack audio cable. The Gateway needs power but you can use the same Micro-USB cable and AC adapter that you use to recharge your phone. The music is controlled straight from your smartphone. Bonus: If you own an NFC-equipped BlackBerry such as the new Bold 9900, you can skip the Bluetooth pairing process by simply tapping the phone to the Gateway – voila! Instant streaming. Keep in mind however, that Bluetooth streaming isn’t as flexible as Wi-Fi. Bluetooth typically maxes out at 10 m (30 feet) whereas Wi-Fi can often extend up to 300 feet, particularly when used outside.
2. Apple Airport Express Base Station ($99)The Airport Express might just be Apple’s best kept secret. This all-white unit, which is about the size and shape of a deck of cards is deceptively simple: A plug for AC power, an ethernet port, USB port and an analog/optical mini-jack. But the list of things it can do is impressive. Most relevant to this discussion is that it can turn any stereo system into a Wi-Fi (or wired) receiver for your iTunes music whether you keep that collection on your Mac, PC or iOS device. Apple’s AirPlay technology which recognizes the AirPort Express on your home network, treats the Base Station as a set of speakers that you can “push” your music to from your iTunes software.
Want to stream your music to multiple stereos? Simply add more AirPort Express Base Stations. Each one can be labeled according to whatever makes sense e.g. “Living Room”, “Kitchen” etc. and if you’re streaming from a PC or Mac, you can have them all receiving the music simultaneously. Each AirPort Express can be muted or volume-controlled from your computer, but it’s way cooler to do it remotely using your iOS device with Apple’s free “Remote” app. Want to stream from your iOS device instead? Again, each AirPort Express will show up as AirPlay devices in any app that supports AirPlay e.g. CBC’s Music app. The AirPort Express has some other cool features up its sleeve beyond music streaming: it can repeat the Wi-Fi signal from an Apple AirPort Extreme Base Station, giving your Wi-Fi greater reach; it can act as stand-alone wireless router when connected to your DSL/Cable modem via ethernet or if you’re in a hotel room with only wired internet access and finally it can act as a print server when a printer is connected to the USB port – now everyone on your network can print to the same printer.
3. Sonos Play:3 ($329) plus Sonos Bridge ($60) Long before Apple started to hype their AirPlay technology, Sonos was inventing the gold standard for wireless home audio. The company has been refining their very successful formula for years now and they’re still the company to beat when it comes to liberating your music. Every Sonos system starts with their $60 Bridge. It doesn’t look like much and it only does one thing: create the SonosNet proprietary wireless network, and allow Sonos devices to access online sources of content. From there however, Sonos users have unparalleled choice. You can buy Sonos Connect receivers that connect directly to your stereos or other powered speakers. Or, you can buy a more powerful Connect Amp which as the name implies, houses an amplifier so you can attach virtually any pair of bookshelf speakers. Or, if you want a more portable solution, their Play:3 and Play:5 speaker systems are all-in-one sound systems combining a wireless receiver, amp and speakers. N.B.: You don’t actually need to buy the Bridge as long as you’re ok with positioning the Play:3 in a location where you can wire it to your router with ethernet cable. In this situation, the Play:3 can create the SonosNet network and act as the Bridge on behalf of the other Sonos devices in your home.
While more expensive than Apple’s AirPlay scenario, Sonos offers more options too: Each Sonos unit can be individually controlled even letting you choose to stream the same or different music sources to each device. You can also access far more content – in addition to your iTunes collection, you can access subscription services like XM radio, Slacker, LastFM and others. Another plus is that if you keep all of your music on a Network Attached Storage device (NAS) you don’t need your computer to be constantly on to get to your music. Sonos can access it directly. Finally, some Sonos devices can be used as AirPlay devices, as long as you buy an AirPort Express and your Sonos component has line-in support (N.B.: The Play:3 is NOT equipped with line-in). Once connected and configured, the AirPort Express that is connected to your Sonos device will show up as an AirPlay speaker on your iPhone, iPod Touch or iPad.
The entire Sonos network of gear can be controlled from any Android or iOS device through the free downloadable app. Sonos used to make a dedicated controller, but apparently the market for these dried up once people began buying app-driven gadgets. No surprise – you can pick up an 8GB iPod Touch for less than the Sonos controller and you can play Angry Birds!
Now that RIM has managed to sell a decent amount of their BlackBerry PlayBook tablets, it’s time for something a little different.
Check out their newest addition to the PlayBook line of accessories: the BlackBerry Mini Keyboard. It’s roughly the same size as the PlayBook itself, it has a 30-day battery life and can be recharged from any Micro-USB connection including the one that shipped with the PlayBook, and it connects via Bluetooth.
And none of those specs are a reason to buy this $119 keyboard, which by the way, ships with that stylish case pictured above.
No, the real reason you’re going to want this keyboard is the integrated touchpad placed right below the space bar. This one feature not only make using the PlayBook for productivity much better than the tablet on its own, it might just make it the PlayBook the best productivity tablet on the market, period. I say this of course without every having tried the device, but if the description from RIM is accurate, this is the rare exception when an accessory dramatically improves the functionality of the original device.
Consider: The touch pad enables full mouse control when using an app called Citrix Receiver – designed to connect you to a remote Windows machine so you can have complete remote-control of that desktop. This means you can move the PC’s cursor, click by tapping, right-click by two-finger tapping and scroll vertically by swiping up and down on the pad with two fingers.
The result is that, unlike using bluetooth keyboards with the iPad, you no longer have to reach for the PlayBook’s screen when you want to interact with an on-screen element. Basically, it turns the PlayBook into a proper laptop replacement, at least from an ergonomics point of view. The trackpad even works when navigating the PlayBook’s homescreens and apps.
The BlackBerry Mini Keyboard goes on sale next month for $119, but you can pre-order it now from The Source and save yourself $20.
Cellphones. I have a love/hate relationship with them.
I love the functionality they offer. I love the way I can reach into my pocket and have the entire internet at my finger tips wherever I happen to be. I love the freedom of being able to share the details of my life with those who matter to me be it on Facebook, Twitter or a simple text message.
But I gotta tell you, I’ve never been happy with the nature of voice calling on these things. There’s just something about the majority of cellphone calls – especially when you’re *not* the one on the cellphone. The compression of sounds, the occasional latency, that sensation that the other person is a the end of a very long and narrow tube through which you both must shout to be heard. It doesn’t matter which handset you own or whose network you’re on. It’s so commonplace these days that I think many of us have just learned to put up with it.
So when I heard that Bell is about roll out an upgrade to their voice network that will dramatically improve the quality of these voice calls, I was all ears.
The new feature is called HD Voice, and Bell is going to be the first national network operator in Canada to offer it. The system has already been introduced in Europe from Orange.
Effectively, HD Voice doubles the amount of network bandwidth allocated to voice calls. More bandwidth means less compression and thus better quality. It’s a little bit like the difference between an audio CD that has been converted into an MP3 file at 64kbps vs. one that has been encoded at 128kbps. As any MP3 aficionado will tell you, the 128kbps version sounds a lot closer to the original CD. HD Voice also improves the amount of noise cancellation on calls, so if you’re calling from an especially busy place like a mall or a street corner, those background sounds should be greatly reduced.
Curious to know just how much better HD Voice will sound? So was I. Bell doesn’t have any sample audio clips to share with us at the moment and I haven’t been able to test the system myself, but I was able to find the following video from the U.K. thanks to the gang at MobileSyrup, and if Bell’s version of HD Voice is anywhere as good as this, I’ll be a much happier camper.
Alright, now that we’re all sold on the whole HD Voice promise, let’s talk about how you actually get this feature.
First the good news: Bell will be making HD Voice an automatic and free upgrade for all of their mobility subscribers.
Now the caveats: HD Voice only works on specific handsets for now. Specifically: HTC Sensation, HTC Incredible S, Nokia C6-00 and Nokia C6-01. According to Bell, these handsets are currently the only ones they carry that have the necessary software to enable HD Voice. It’s expected that many more handsets currently on the market will be given a software upgrade to make them HD Voice capable, but no details have emerged just yet.
And, more importantly, you’ll only benefit from HD Voice if you and the person you’re speaking with are both using compatible handsets and you’re both on the Bell (or Virgin) HSPA+ network. Unfortunately, this means that landline parties or those on a different mobile network will still hear the lower quality call, even if you’re using an HD Voice handset.
Bell notes on their site that there are still a few areas of the country that won’t be able to support the service, and none of the coverage areas that are outside of the HSPA+ 4G footprint will be able to handle it
(Image credit: Photodisc/Winston Davidian/Getty Images)
Disclosure: Sync.ca and Sync-blog.com are owned and operated by Bell Media, a wholly owned subsidiary of BCE, the parent company of Bell Canada.