This article originally appeared on CTVNews.ca
Yesterday, at an exclusive event in downtown Toronto, members of the press were invited to the official launch of two new robotic products from Parrot S.A., the French company responsible for popularizing so-called “drones” – remote controlled quad-rotor flying platforms that contain a pair of cameras capable of recording high-definition video.
The company has had enormous success with their AR.Drone (now in its second generation), having sold over 700,000 of the $350 devices since 2010. And though there has been an explosion of growth in the drone market, both in the high-end commercial segment and the budget-friendly toy segment, Parrot has maintained a decisive lead by combining high-quality components and engineering with easy-to-master controls thanks to its use of Wi-Fi equipped smartphones and tablets as the “remote.”
Parrot’s two new products, part of a line they call “MiniDrones,” follow in the footsteps of the AR.Drone. The Rolling Spider is a $119 miniature quad-rotor flying vehicle that fits in the palm of your hand. Equipped with detachable wheels that give the Spider an angry-bee-trapped-in-a-hamster-wheel appearance, it can roll along floors, up walls and along ceilings without any danger of the tiny propellers coming in contact with nearby objects. Thanks to a plethora of on-board sensors and gyros, The Rolling Spider is simple enough for a child to operate. It even has a high-res, downward-facing camera that can snap still images during flights. The rechargeable and replaceable battery is good for about 8 minutes of continuous flight. You can fly the Rolling Spider indoors or outside, but because it’s connected via Bluetooth to your phone or tablet, the operational range is limited to about 66 feet.
In practice, the Rolling Spider is a hoot to fly. Amazingly stable yet highly responsive, it emits a high-pitched whine that makes comparisons to bees, wasps or even mosquitoes more apt than to a spider. Horizontal flight is buttery-smooth while vertical lifts and drops happen incredibly fast. Irritated by a pilot who decides to fly it too close to your head? Go ahead and swat the Spider out of your way – it will right itself and continue on its flight path as though nothing had happened. We can only assume it doesn’t take such acts of aggression personally.
Parrot uses the same flight control scheme from the AR.Drone with the Rolling Spider and it is truly easy enough to learn that you can fly the Spider confidently after a few minutes of experimentation. Getting the Spider to execute an aerobatic 360 degree flip in mid-air requires nothing more than a double-tap on the smartphone’s screen.
Finally, if you can bare to separate yourself long enough from the Rolling Spider to let your kid play with it, they’ll be delighted to find that Parrot has included a set of stickers that can be used to customize the Spider’s appearance. Most of them make the Rolling Spider look like something that’s about to bite you.
Their second product in the MiniDrone line is the $179 Jumping Sumo. A quirky blend of remote-controlled car, mobile camera platform and, well, grasshopper, this two-wheeled vehicle has more in common with a Segway scooter than a garden-variety RC car. Equipped with a wide-angle front-facing camera, the Sumo can stream live video of everything it sees back to the smartphone, giving its driver a first-person perspective. The diminutive vehicle can be driven manually, using the on-screen controls and can perform impressive maneuvers such as 90 or 180-degree turns in an instant, or you can pre-program a specific route which can then be executed at the tap of the screen.
But the Jumping Sumo’s most impressive trick is, as its name suggests, the ability to jump up to three feet into the air, with a level of precision that allows experienced drivers to land it on a surface not much larger than the Sumo’s own footprint. The jumps are accomplished via a powerful, spring-loaded piston that can be primed and released in less than two seconds. Flip the Jumping Sumo “upside down” (a hard position to identify when dealing with a robot that doesn’t seem to care which way is up) and it can use the same mechanism to launch itself away from fixed objects, or “kick” loose objects out of its path. In an impressive demonstration of strength, I watched as a Parrot employee put a sizeable dent in an empty pop can using this technique.
As frightening as it sounds, Parrot has even equipped the Jumping Sumo with a “personality.” With a Furby-like set of responses, the Sumo will emit different sounds under different conditions. Perhaps most disturbing is the language Parrot uses to describe these interactions in its marketing material: “Pet its head, pat its body and it reacts to make you understand its affection for you.” Hmm. “Make you understand”… is this merely an awkward translation from French, Parrot’s native tongue, or is it a sign that we are no longer the ones who are in control? If you still have any doubts, consider this: When the Jumping Sumo finds itself in an “uncomfortable” situation, its “eyes” turn from placid green to a menacing red. Stanley Kubrick tried to warn us about artificial intelligence with red eyes…
While it’s clear that these two MiniDrones—which go on sale in August—are very much designed to be toys (parents get ready for the holiday wish-list onslaught), make no mistake, these are highly sophisticated pieces of technology that have more in common with commercial and even military drone applications than their size and price would indicate. With the exception of their operating distances, battery life and perhaps durability, these two “toys” represent cutting-edge technology.
If you’ve ever spent time wondering what your kids will be equipped to do when they enter the job market, perhaps it’s time to introduce them to a MiniDrone. It could set them up for an upwardly mobile career path in our increasingly robotic world.
See the Rolling Spider in action:
See the Jumping Sumo in action:
Tons of features, good performance and an unbeatable price make the Roku Streaming Stick by far the best value in the increasingly busy Smart-TV add-on category.
If you already own a Smart TV—a WiFi-connected, app-enabled HDTV—you really don’t need to read this. That’s because the Roku family of devices (to which the Roku Streaming Stick is the latest addition) is for all of us poor shmoes stuck with TVs that have no way of talking to the internet and thus no way to access content providers like Netflix, Crackle, CrunchyRoll or YouTube unless we stretch a very long and trip-hazard-creating HDMI cable from our PC/laptop to our TV sets. Don’t laugh. People do that. For real.
There is obviously a better way. It took a few years for electronics companies to figure it out, but simple WiFi add-ons are finally here.
Roku’s Streaming Stick takes the best part of Roku’s earlier efforts, namely the amazing collection of hundreds of “channels” that give the Roku its ability to deliver streaming content, and pairs them up with a dead-simple receiver and an included remote control, all for the rock-bottom price of $59 CDN.
Differentiate yourself, preferably without relying on the same software that all of your competitors (except Apple) are using.
This might well have been the thinking behind today’s announcement of two new smartphones from HTC powered by Microsoft’s brand new mobile OS: Windows Phone 8.
The HTC Windows Phone 8X and 8S are two interpretations of what a Windows Phone 8 handset should be. The 8X is a 4.3″ touchscreen phone that boasts HD resolution, 8 and 2.3 MP rear and front cameras and NFC. It has 16GB of unexpandable internal memory and 4G/LTE cellular connectivity. The 8S for its part, is smaller at 4″ in diagonal measurement, is limited to 4G speeds and lacks a front camera. Its 4GB of memory can however be expanded via MicroSD up to 32GB. Both phones have non-user replaceable batteries.
Specs aside, it’s the design that really sets the 8X and 8S apart – at least in terms of HTC’s previous efforts. Rounded edges, super-smooth screen surfaces and a slightly rubberized back surface all make for a very pleasing phone to hold. But while these Windows Phone 8 handsets look different from other HTC models, they bear a striking resemblance to the other company that is going all-in on Windows Phone – namely, Nokia.
The Windows Phone 8X will come in a variety of colors including California Blue, Graphite Black, Flame Red and Limelight Yellow. The Windows Phone 8S by HTC will be available in Domino, Fiesta Red, Atlantic Blue and High-Rise Gray.
Aside from a few minor differences, HTC’s 8X and 8S look for all intents and purposes like the Nokia Lumia line of handsets.
This similarity has not gone unnoticed by Nokia, who have already chimed in with their opinion. They’re not impressed.
HTC disputes the similarity. HTC’s North American president, Mike Woodward claims that no one looking at the two phones could mistake one for the other.
We had a chance to go somewhat hands-on with the new devices at HTC’s well-attended launch event in New York.
I say somewhat because while we were able to hold the units and even listen to some audio tracks to get a sense of how the integrated amplifier and Beats Audio enhancement worked, we were not able to try out many of the Windows Phone 8 features such as web browsing, email or instant messaging.
What we were able to experience was the exceptional feel that HTC has managed to engineer into these phones. The screens were vivid and bright, without being over-saturated. They felt lightweight without feeling cheap, plasticky or fragile. The 8S will be particularly attractive to those with small hands, with its slightly narrower and shorter physical dimensions.
Also of note is the front-facing camera on the 8X. It has a unique ultra-wide angle lens which lets users compose self-portraits with way more room in the frame for friends or other background details.
HTC wasn’t offering any details around pricing beyond saying that the handsets are expected to be in market with Bell and Rogers in Canada for a November timeframe. However it would be reasonable based on the phones’ specs to expect something in the neighbourhood of $100-$175 on a contract.
You have to give Sony credit. Last year, the company debuted their first effort at creating a consumer tablet, hoping not so much to rival the iPad (something they sensibly realized wasn’t going to happen) but to establish themselves as the definitive #2 player in the space. To say they missed that target is an understatement.
While reviewers had kind things to say about the Tablet S’s physical design such as the innovative wedge shape that made it more comfortable to hold sideways, there was far more in the minus column, thanks mostly to some poorly executed and/or missing features.
The bottom line was that if you’re going to charge the same price as an iPad, you had better give users a compelling reason to pick your tablet. Apparently most consumers felt that had not happened and sales figures for the Tablet S barely registered on global tablet purchases.
That was then. Today, Sony comes back to the tablet table, this time with a new brand (their tablet is now part of the Xperia family of products which includes Sony’s Xperia smartphones) a new look (thinner, lighter) and has addressed at least some of the shortcomings of the Tablet S.
The Xperia Tablet S as the new model is called, comes in 16 and 32GB flavours, sells for $399 and $499 respectively and runs the more modern Android 4.0 operating system from Google.
The new form factor is mostly the same as the original. Screen size and resolution are unchanged at 9.4″ and 1280×800. But this time around Sony has reduced the “curled” portion of the tablet wedge to just the upper (or side) third of the case instead of the previous design’s nearly constant taper from one edge to the other. The overall effect is to make the new Tablet S appear thinner, though the official measurements seem to indicate this is mostly an optical illusion.
Sony has also made the Tablet S more robust. It now sports a splash-proof coating which Sony claims makes the tablet resistant to all kinds of splashes, from any direction, so long as the port covers remain securely in place. This is a very good idea given how many tablets end up in the kitchen as they serve the double-duty of internet appliance and digital cookbook.
Internally, the Xperia tablet gets a speed boost from the latest Quad-core Nvidia Tegra 3 processor, plus the cameras get a spec bump too going from 0.3 megapixels in the front and 5MP in the rear to 1MP up front and 8MP in the rear, which is pretty much standard on all smartphones, and much better than average for tablets.
The last of the (major) physical changes is the presence of a “multiport.” This replaces the micro-USB port from the first version and gives the Xperia Tablet S a critical feature: USB and HDMI-out via an adapter cable. The first Tablet S could only send video wirelessly to compatible displays like Sony TVs, lacking a physical way to do so. This is an improvement to be sure, but I’m not a fan of proprietary connections and accessories. Apple forces iPad owners down this road by only offering HDMI via a 30-pin cable and I’m really disappointed that Sony chose to follow them.
But on to better things!
One of the ways that Sony sought to differentiate their first tablet was the inclusion of an IR transmitter capable of controlling all of your living room devices via a bundled remote control app. It was a great idea, but for some unknown reason, Sony left out the ability to program “macros” – the powerful feature which gives a product like the Logitech Harmony line of universal remotes their broad appeal. Without macros, you’re forced to jump between remote “modes” as you operate each device in your home theatre separately. It’s the tablet equivalent of having all of your physical remotes sitting on your coffee table in front of you. In other words, it doesn’t solve any of the problems associated with owning multiple devices.
The Xperia Tablet S finally addresses this gap by introducing programmable macros such as “Watch TV” which will then automatically send the necessary IR commands to your various pieces of equipment. How intuitive this macro feature is to use is unknown right now. Let’s hope Sony took a page from Logitech’s playbook.
Finally, the one feature which I think proves that Sony is finally “thinking different,” to borrow Apple’s now defunct slogan, is the ability to create a “Guest Mode” account on the Xperia Tablet S. As I’ve mentioned before, one of the BlackBerry PlayBook’s best features is something called BlackBerry Balance, which lets you create a virtual wall between your work-related activities and your personal ones. Sony’s Guest Mode does the same thing by creating profiles for different users, much like you can do on Windows and Mac computers. Using Guest Mode, you can set access permissions for apps, widgets and even desktop wallpapers, for each user account.
This is a tremendously useful innovation which Sony claims is exclusive to the Xperia Tablet S. I can easily see parents justifying the purchase of this product based solely on the strength of Guest Mode alone. I’ve long believed that tablets, unlike smartphones, are communal devices that end up being used by everyone in the household. With Guest Mode, there is finally a way to hand over the tablet without handing over control of personal and/or sensitive information.
Oh, one more thing.
Sony has spared no expense in creating a dedicated line-up of accessories for the Xperia Tablet S ranging from dedicated chargers, desktop stands and covers that include built-in keyboards.
Of course, we’ll really only know how good the Xperia Tablet S is once we get our hands on one, hopefully very soon.
The new tablet goes on sale September 7, but you can pre-order online today.
The new 4G LTE PlayBook launched by RIM yesterday, with all three major carriers, is essentially the same PlayBook the company released a little over a year ago. To say this is a “new” PlayBook would be overstating things. Other than the 4G/LTE cellular data connection option indicated in the model’s name, the only difference is the processor, which received a modest speed bump from 1 GHZ to 1.5 GHZ.
Literally everything else about the 7″ tablet remains the same. Even the box it ships in.
So you’d think that this slightly updated PlayBook would be priced in-line with the non-LTE versions you can find on store shelves today i.e. $229 for a 32GB model. Nope, not even close.
Turns out the 4G/LTE PlayBook, which only comes in the 32GB capacity so far, retails at most carriers for the astonishing price of $549 without a contract.
Let that sink in for a moment…
If you want a PlayBook with 4G/LTE connectivity and a slightly faster processor, you’ll be shelling out an additional $320, or put another way, 139% more.
Just to be clear, this is not an indictment of the tablet itself. The PlayBook, while still under-appreciated by much of the tech media, and certainly not a fan-favourite with consumers, in nonetheless a very good tablet. To see how well it has aged, check out Marc Saltzman’s comparison between the PlayBook and the brand-new Google Nexus 7. The addition of 4G/LTE is a really great option – much like other 4G/LTE devices, it absolutely blazes along. In downtown Toronto at mid-day (peak network usage time) I was able to get speeds of 35Mbps download and 5Mbps upload. Not too shabby.
But poor sales numbers forced RIM to heavily discount all models of the PlayBook, thus changing the landscape dramatically. No longer were we to compare the PlayBook to its larger and more expensive competitor – the iPad. Instead, especially here in Canada where the Kindle Fire isn’t on sale, we now see the PlayBook as a great alternative for people who don’t want an ereader and a tablet – the PlayBook is small enough and inexpensive enough to be both (precisely the territory Google is hoping to exploit with the $209 Nexus 7).
All of which means, unfortunately for RIM, you can’t put the genie back in the bottle.
There is no world now, in which a 32GB PlayBook with 4G/LTE is worth $549.
The very most RIM can expect to people to pay for this mobile speed premium is $130 – the same price difference that Apple slaps on all 4G/LTE versions of the iPad – which means a new 4G/LTE PlayBook should actually cost $359. Coincidentally (or perhaps not) that is exactly $10 more than the 3-year term subsidized price of the new PlayBook: $349.
Now, I know there are folks out there who will point out that even at $549, the 4G/LTE PlayBook is still $100 cheaper than a comparably equipped 16GB iPad which only has half the storage. That’s absolutely correct. But don’t forget, Apple’s latest iPad is a technological tour-de-force with a screen resolution unmatched by any tablet. And even if comparisons to the iPad were meaningful (they aren’t at this point in time), it can’t change the fact that RIM’s own discounting of the original PlayBook has created this unfavourable situation.
RIM, expecting the backlash from the 4G/LTE pricing, has decided to throw the carriers under the bus. “RIM works closely with its carrier partners on its product launches. Pricing, plans and contracts are determined by the carrier,” according to RIM’s agency, Brodeur Partners of New York.
This seemingly out-of-touch-with-reality pricing might be, in some twisted way, RIM’s way of getting you to buy a BlackBerry. I know, sounds wacky, but hear me out:
For $99 on a 3-year contract, you can get RIM’s range-topping Bold 9900 4G. It may not have LTE speeds, but it’s still a great device for productivity. And because the PlayBook’s biggest draw for BlackBerry owners is the ability to tether the two devices seamlessly, sharing one data connection, you could pick up a 32GB non-4G/LTE PlayBook for $229. Since you’ll already be paying for the monthly carrier charges on the Bold, there’s no need to pay again just to provide the PlayBook with its own data connection.
If RIM still has a surplus of PlayBooks it’s trying to get rid of, which the current pricing seems to confirm, this strategy might make sense: in giving people lots of incentive to buy BlackBerrys and PlayBooks together instead of just PlayBooks on their own, the company addresses two problems at once – getting rid of their soon-to-be-obsolete BlackBerrys and surplus PlayBooks.
It’s a long-shot, to be sure, but these days – sadly – everything about RIM is looking like a long-shot.
I like the PlayBook. Especially at its current $200 price point for 16GB. Everyone I’ve spoken to who owns one still enjoys using it and has no regrets. But I can’t get behind a $320 premium for 4G/LTE connectivity, the value simply isn’t there.
When I think “sub-woofer” I picture home theatre set ups- you know the kind- 5, 6 or even 7.1 surround systems with that “.1” referring to the sub woofer which, more often than not, is tucked into a corner, hidden under a plant or sometimes concealed behind a wall panel. What these configurations all have in common is permanence. Your average home theatre buff will spend a fair amount of time figuring out optimal speaker placement and once wired in to their locations, never moves them again.
Why would Sonos seek to market a wireless sub to this group of buyers? Yes, the Sonos sub enables placement options that wired subs can only dream of, but when I tell you that Sonos’s sub is incompatible with every amplified home theatre system on earth, you’re probably going to start scratching your head. I sure did.
Before I explain this bizarre limitation, let me clarify who the Sonos sub is actually aimed at: people who already own, or intend to buy one of Sonos’s all-in-one speakers, the Play:3 or Play:5 or their Connect:Amp powered receiver for bookshelf speakers.
Now, about that strange incompatibility. Let’s do a quick refresher on the nature of sub woofers. Subs are designed to do one thing and do it well: provide the low-end bass reproduction that standard speakers simply can’t deliver. In home theatres, they are loved for that couch-shaking rumble on movie soundtracks. Audiophiles use them to fill in the lows that their dedicated stereo speakers can’t reproduce. But regardless why you use a sub, your receiver/amplifier plays a critical role. Every system that includes a sub needs a setting known as “cross-over.” Cross-over is the frequency at which the sounds you are playing are divided into signals. All sounds above the cross-over frequency get sent to the regular speakers. All sounds below that frequency get sent to the sub-woofer. Sometimes, as with inexpensive HTIBs (Home Theatre In A Box) systems, that cross-over frequency is set at the factory and can’t be changed while receivers/amps used in component systems will typically have an adjustable cross-over frequency so you can get the perfect calibration for your specific speaker/sub-woofer combination.
So what does that have to do with the Sonos SUB? Well, just like every other sub-woofer, the Sonos SUB needs to have a cross-over frequency established. On Sonos systems, that cross-over setting is managed in the software and is dynamically set based on the particular combination of Sonos speakers in your room(s). But because the software uses its knowledge of volume levels and amplification of ALL the speakers in your system, it can’t make the necessary adjustments if your system included components that the software isn’t aware of from an amplification point of view. This includes any externally-amplified speakers you are running through one of Sonos’s Connect devices. These devices only pass music signal, not amplification to a set of speakers. Conversely, all Play:5, Play:3 and Connect:AMP components will work with the SUB.
One of the benefits of the Sonos software-controlled cross-over system is that the cross-over frequency can change. Not only can it change based on which speakers you’re using with the SUB but it can also change as you adjust your volume levels which means you’re always getting the optimal amount of low-end for any moment in time. If the engineers at Sonos ever feel the blend needs to be adjusted, they can do so via a software update. The down-side to this arrangement is you can’t tweak the cross-over frequency if you aren’t happy with how the software is dealing with it.
If you haven’t already guessed from the details so far, the Sonos SUB is intended to enhance the enjoyment of music within an existing Sonos set-up. This is not a sub for home theatres. As an acknowledgement of this fact, Sonos took a little more care with the design and materials in their SUB. After all, if your sub-woofer is wireless and can be placed anywhere, why not show it off a little? The SUB’s piano-black gloss finish and striking shape makes for a great conversation piece. But look a little closer and you’ll see that Sonos’s engineers found an intriguing solution to a design challenge.
Their research told them that traditional down or side-firing sub-woofers limit placement options for consumers. Their boxy shapes can be hard to hide and they certainly don’t slide under couches very well. At the same time, rectangular subs, while easier to stow under furniture, aren’t much to look at if you do need to leave them visible. To make a sub that was both elegant when seen and slim enough to be hidden, Sonos employed a “ying-and-yang” arrangement: two speaker cones and ports which fire from opposite sides, but both facing the inside of the cabinet – the donut hole in the centre of the SUB. The benefits of this design are two-fold: because there are no externally facing speakers, you can position the SUB with any of its five available surfaces facing down and sound quality is never compromised (the “bottom” should probably never be used on “top” for balance reasons). Plus, overall vibration on the SUB’s cabinet is reduced to negligible levels thanks to balanced output of the two drivers. It’s the sub-woofer equivalent of a boxer engine.
It’s also worth mentioning that Sonos’s built-in wireless system creates a level of flexibility that wired sub-woofers simply can’t match. If you use Sonos gear in a multi-room configuration, but decide that you don’t need sub-woofer power in each of those rooms all of the time, simply unplug the SUB, carry it to the other room, plug it in, and then associate it with the new room from within the Sonos app on your smartphone or tablet. The software does the rest, including a recalibration step that ensures you get the right balance between the SUB and the speakers in your second (or third or fourth etc..) room.
I auditioned the SUB in a small listening room at Toronto’s The Spoke club. Sonos Product Manager Craig Wisneski had two Play:3 speakers set up at either side of the room, configured to run in stereo mode (each Play:3 speaker reproducing just one channel respectively). We sampled several tracks including some reggae standards which are perfect for checking out low-end sound thanks to their bass-heavy rhythms. Without the Sonos SUB, the sound produced by the stereo Play:3’s was already (to my untrained ears) full, rich and satisfying. Adding the SUB to the mix did exactly what you would expect – it filled out the low end that you hadn’t even noticed was missing.
It very much reinforced for me that the SUB has been designed for music – not movies. The effect of turning on the SUB was immediate and noticeable while retaining a subtlety I don’t usually associate with sub-woofers. It many ways, it does what all good audio gear should do. It gives you the impression that you weren’t hearing the full range of music before you added it to your set-up.
Here’s the part that might give you pause when considering if the Sonos SUB is right for you: the price. At $749 the Sonos SUB is more expensive than two Play:3 speakers plus the Sonos Bridge all put together. It’s a big expense for a product that many consider a nice, but optional extra to their music system. And while Sonos has plans to release a slightly cheaper $649 matte-black version of the SUB later this year or possibly early in 2013, that’s still twice what it costs to buy a decent powered sub-woofer for component systems. But therein lies the catch – if you want that deep bass sound to accompany your existing Sonos wireless speaker set-up, there is – for now – only one game in town. Is the SUB $749 worth of sub-woofer? Probably not. But if you value stunning industrial design, the convenience of place-anywhere-wireless convenience and a speaker that has been designed to provide optimal low-end sound for your existing Sonos gear, then it might very well be worth the asking price.
In any event, you’ve got a few weeks to decide/save up – the Sonos SUB starts shipping July 30th if you order online. But if you’ve already made up your mind, you can pick one up right now at selected retailers and installers such as Best Buy, Future Shop but call first as stocks are limited at this point.
So what do you do when you want to come up with the next version of one of the world’s most popular phones?
You start by not messing with a proven formula. Samsung’s Galaxy S III, unveiled today at a London, England event, is evolutionary not revolutionary and that’s just fine with us.
They’ve kept the large-but-not-too-large 4.8″ screen, they’ve used a variety of materials including metal to give the phone a more sophisticated look and up-market feel (Samsung says this is the first of their phones to be built from a designer’s perspective, not an engineer’s) but most of what sets the GS III apart from other Galaxy phones and indeed other Android smartphones in general, are the software enhancements.
But before we get to that, let’s talk about the screen. As mentioned, it’s 4.8″ in size and has 720 x 1280 HD resolution. It’s the same Super AMOLED HD technology found in previous Galaxy devices, but they’ve managed to give the display better readability without sacrificing the vibrance that AMOLED screens are known for.
This isn’t a small thing. Some people have noted that while they love the incredible richness and saturation combined with deep blacks that Super AMOLED offers, this same brilliance can make it harder to read when compared to the IPS-LCD technology found in the current generation of iPhones and iPads. And while we didn’t get to spend a lot of time with the GS III, I think Samsung has found the right balance.
The rest of the hardware specs are almost exactly what you’d expect: 8MP camera with 1080p video, 4G LTE (with HSPA support), MicroSD, WiFi N, Bluetooth 4.0, NFC and MHL. What’s new here is the 1.4GHz Exynos 4 Cortex-A9 quad-core chip that’s powering the whole experience. When you hold the GS III in your hand and compare it to the current GS II HD LTE, they feel very similar. The GS III might weigh ever so slightly more, but that serves to make it feel more substantial (Galaxy phones have always felt a tad light in the hand for my liking). The back plate now has a smooth finish instead of the texture panel on the GS II. Again, you might like this more or less, but I found it pleasant enough.
The GS III is the first Galaxy smartphone to ship with Samsung’s interpretation of Android 4.0 (the Galaxy Nexus which Samsung makes, is Android unadulterated, as it comes directly from Google), and this is where you find most of the differentiating features.
Unlike the Galaxy Nexus, which has only soft buttons, that take up screen real-estate and are embedded into the OS, the GS III uses hardware buttons – 2 soft-touch buttons and one central home button which is physical, slightly rubberized and has a pleasing soft-click action. Samsung indicated that this was done not only to increase the amount of available screen real-estate for actual content, but also because users like having physical buttons – we agree.
On a deeper level, Samsung has added their own touches to the Ice Cream Sandwich experience. Some are subtle – like the camera’s ability to automatically suggest the best picture from a series of rapid-fire shots. Others could end up being game-changers: a contextual calling feature lets you call the person you’re texting with by simply pressing a finger to the screen and then raising the phone to your ear – the GS III immediately places the call.
Physical gestures such as this are part of Samsung’s effort to re-make the smartphone interface into a more human and intuitive experience. Another great example of this is the option to have the GS III “read” your face when you’re using it: using the front-facing camera, the GS III can tell if you’re watching video, or reading a web page and automatically prevent the screen from slipping into power-saving mode.
Speaking of video – you know the picture-in-picture feature that most modern HDTV’s have? Well the GS III has it too. You can now keep a video window open on the phone, regardless what other task you’re involved with. This works for both local and streamed videos and you can reposition the window anywhere you want.
Whether you find these engineering tricks to be your cup of tea or not, Samsung is clearly hoping that they will help set the GS III apart from an increasingly crowded Android field where their current leadership is anything but assured. They might also be harbouring some hope that these extras will appeal to those who are contemplating leaving Apple’s juggernaut on their next phone refresh.
Obviously, Samsung wasn’t quite ready to let us spend some serious time with the Galaxy S III, but rest assured we will be doing so in the very near future, and will have all the details regarding price, carrier availability and Canadian launch dates – stay tuned!
May 29 is the European launch date, with the Canadian release slated for this summer.
Here’s the full list of specs for the GS III:
|2.5G (GSM/ GPRS/ EDGE): 850 / 900 / 1800 / 1900 MHz
3G (HSPA+ 21Mbps): 850 / 900 / 1900 / 2100 MHz
4G (Dependent on market)
|4.8 inch HD Super AMOLED (1280×720) display|
|Android 4.0 (Ice Cream Sandwich)|
|Main(Rear): 8 Mega pixel Auto Focus camera with Flash & Zero Shutter Lag, BIS
Sub (Front): 1.9 Mega pixel camera, HD recording @30fps with Zero Shutter Lag, BIS
|Codec: MPEG4, H.264, H.263, DivX, DivX3.11, VC-1, VP8, WMV7/8, Sorenson Spark
Recording & Playback: Full HD (1080p)
|Codec: MP3, AMR-NB/WB, AAC/AAC+/eAAC+, WMA, OGG, FLAC, AC-3, apt-X|
|S Beam, Buddy photo share, Share shot|
|AllShare Play, AllShare Cast|
|Smart stay, Social tag, Group tag, Face zoom, Face slide show|
|Direct call, Smart alert, Tap to top, Camera quick access|
|Pop up play|
|Burst shot & Best photo, Recording snapshot, HDR|
Google™ Mobile Services
|Google Search, Google Maps, Gmail, Google Latitude
Google Play Store, Google Play Books, Google Play Movies
Google Plus, YouTube, Google Talk,
Google Places, Google Navigation, Google Downloads
|WiFi a/b/g/n, WiFi HT40
|Accelerometer, RGB light, Digital compass, Proximity, Gyro, Barometer|
|16/ 32GB User memory (64GB available soon) + microSD slot (up to 64GB)|
|136.6 x 70.6 x 8.6 mm, 133g|